The Road to Terminus

When we first think of the word terminus, we think of a railroad, correct? At least that is what I thought when I first encountered the term.  Actually, if truth be told, my first exposure to the word came from watching “The Walking Dead” in 2014. The main characters in the show had been separated and were all traveling on different paths. We follow along, watching them in their struggle to find each other, each one discovering a sign that points to Terminus, “Sanctuary for all. Community for all. Those who arrive survive. It was meant to be a sanctuary in an apocalyptic world, yet we discover together that it isn’t. 

Terminus, Collagraph and Photopolymer Etching, 2017

So, what is terminus? In 2014, I equated it to the end of a journey, but like the characters in “The Walking Dead” the journey is never at an end. There are arrivals and departures in an endless loop. In 2017, I was reminded of the term again when I was invited to participate in the themed print exchange for Southern Graphics Printmaking International Conference held in Atlanta, Georgia. The print I created, titled Terminus, was the origin piece for this series of work. Terminus: A man curled up in the yolk of an egg, his separated silhouette and topographical map of his body floating above the cracked playa. The sewn triangle: a representation of the railroad track that may seem to lead to somewhere, but doesn’t. The stitching represents our ability to mend ourselves despite the adversities we endure.

Terminus, historically refers to the marking of a boundary. In the Roman Empire, all boundary stones had a minor god, Terminus associated with them. This god protected the boundaries between properties. In my own reference to Terminus, I created many prints between 2017 and 2024. These prints were all collagraph and photopolymer etchings that were metaphors for boundaries, chaos, traveling lines leading to something (or nothing at all.) After our world-wide scare in 2020, the prints became a metaphor for the ending. But of course, where there is an end, there is always a beginning, right?

The Sculpture that I created in 2023 titled Terminus and Telos tells a story of the end of days. Telos is an interesting word. I actually stumbled upon it when I was researching Terminus and societal references to decay. During my internet wanderings, I came across Telos as a word that describes the end of philosophy.  In the bible, ROM 10:4 Telos references the loss of moral purpose. Of course, I think of Mad Max. I also think about higher education and maybe just education in the United States as a whole. Have we lost what is so important to the understanding of humanity? Have we lost the ability to challenge and grow from adversity.  The two crows sit atop a dystopian structure – one a teacher, the other, her student. The red marbles are knowledge of the past that is yet unattainable to the student.

Practice, Memory and Song continues the story of "The Road to Terminus" with the little birds as the three muses...or for me three young students learning to live in a brave new world.

Candace Garlock

As an artist, Candace Nicol Garlock uses an array of mediums in her work. The coalescence of printmaking techniques, painting, photography (and sculpture, too!) overlap and converge with color, texture and line in a collaboration of mixed, experimental beauty. With her appreciation of the interconnectedness of everything, she elevates relationships: human and environment, human and animal, human and human. She writes, “my multilayered compositions posit engaging questions to viewers regarding relationships, social identities, and societal issues surrounding the female gaze.”

Garlock's mentorship in student advancement, both artistically and professionally, as well as her engagement and participation in community events makes her a true ambassador of art. She draws inspiration from the collaboration of those around her, through the interplay with students, and continually is organizing collaborative projects. A renown printmaker whose work has been shown nationally and internationally, she has received multiple awards including the Reno Tahoe Artist Best in Sculpture/3-D Artworks in 2022, Best of Show and Best in 2D Mixed Media in 2023 and Best in 2-D Artworks in 2024, the Nevada Regents’ Creative Activity Award in 2017, the Nevada Arts Council Artist Fellowship in 2009 and an honorable mention in Printmaking Today in 2008, a review of fine art printmaking in Abruzzo, Italy. Nicol’s work can also be seen in 100 Artists of the Male Figure by E.Gibbons. Her work is included in many prestigious collections including the Kinsey Institute, Zuckerman Museum of Art, Rutgers Center for Innovative Print and Paper, Nevada Arts Council, and National Taiwan Museum of Fine Arts.

https://candacenicolgarlock.com
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