For the box of illness:

A Box of Illness, Photopolymer Etchings, Knotted Thread, Polymer Clay, Wood, Resin, 2026

I wake in the wrong environment 

Soft sterile light and no sound.

Here, the rules change quietly.
Gravity favors nothing,
words drag, vision edits out
what I thought I knew.

The woods are inside now,
branching scars,
misfiring paths.
No one sees them
but they keep rearranging the map.

Some days, I pass for a native
in the kingdom of the well,
my body a counterfeit,
my gait almost fluent.


Other days I am stopped by a tremor,
a silence between words,
too long to explain away.

The illness is a red string
threaded through my days.
Not a destiny, just insistence.


It knots at the hinge of my knee,
tightens at the base of my skull,
snags on the word β€œnormal”
until the word frays.

Loss arrives in increments:
a staircase,
a walk at dusk,
an invitation declined.


Each small surrender
carves out a new version of me,
less visible,
more real.

I am not who I was
before the woods moved in.


I carry an identity
spliced with scans and flare histories,
resistance in the margins.
Resilience is a flicker, a low glow that refuses to disappear.

The world likes clean binaries:
sick / well,
able / broken.
But my days are noise:
static between categories,
a body that pulses
between functioning and failure.

Here, in this other space,
I walk the dark perimeter
of what I can no longer do,
then step back
into what remains.


A small, stubborn territory
of making.


I am still here,
even if I can’t remember
where the woods begin and 

cannot see where they may end.

A Box of Illness, Photopolymer Etchings, Knotted Thread, Polymer Clay, Wood, Resin, 2026

Candace Garlock

As an artist, Candace Nicol Garlock uses an array of mediums in her work. The coalescence of printmaking techniques, painting, photography (and sculpture, too!) overlap and converge with color, texture and line in a collaboration of mixed, experimental beauty. With her appreciation of the interconnectedness of everything, she elevates relationships: human and environment, human and animal, human and human. She writes, β€œmy multilayered compositions posit engaging questions to viewers regarding relationships, social identities, and societal issues surrounding the female gaze.”

Garlock's mentorship in student advancement, both artistically and professionally, as well as her engagement and participation in community events makes her a true ambassador of art. She draws inspiration from the collaboration of those around her, through the interplay with students, and continually is organizing collaborative projects. A renown printmaker whose work has been shown nationally and internationally, she has received multiple awards including the Reno Tahoe Artist Best in Sculpture/3-D Artworks in 2022, Best of Show and Best in 2D Mixed Media in 2023 and Best in 2-D Artworks in 2024, the Nevada Regents’ Creative Activity Award in 2017, the Nevada Arts Council Artist Fellowship in 2009 and an honorable mention in Printmaking Today in 2008, a review of fine art printmaking in Abruzzo, Italy. Nicol’s work can also be seen in 100 Artists of the Male Figure by E.Gibbons. Her work is included in many prestigious collections including the Kinsey Institute, Zuckerman Museum of Art, Rutgers Center for Innovative Print and Paper, Nevada Arts Council, and National Taiwan Museum of Fine Arts.

https://candacenicolgarlock.com
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